It was a lover and his lass
Poet: Thomas Hardy
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Poem
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Content/Meaning of the Poem:
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Published comments about the poem:
✦✼✦✼✦✼✦✼✦✼✦✼✦✼✦✼✦✼✦✼✦✼✦✼✦✼✦✼✦✼✦✼✦✼✦
✦✼✦✼✦✼✦✼✦✼✦✼✦✼✦✼✦✼✦✼✦✼✦✼✦✼✦✼✦✼✦✼✦✼✦
Musical Analysis
Composition date:
Publication date:
Publisher: Boosey & Hawkes - Distributed by Hal Leonard Corporation
Tonality:
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Accompaniment:
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Pedagogical Considerations for Voice Students and Instructors:
✦✼✦✼✦✼✦✼✦✼✦✼✦✼✦✼✦✼✦✼✦✼✦✼✦✼✦✼✦✼✦✼✦✼✦
✦✼✦✼✦✼✦✼✦✼✦✼✦✼✦✼✦✼✦✼✦✼✦✼✦✼✦✼✦✼✦✼✦✼✦
Pitch Analysis | ||||||
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pitch | stanza 1 |
stanza 2 |
stanza 3 |
stanza 4 |
total | |
highest |
A |
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G |
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F |
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E |
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D |
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middle C |
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B |
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A |
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G |
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F |
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lowest |
E |
Rhythm Duration Analysis of Vocal Line | |||||
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stanza 1 | stanza 2 | stanza 3 | stanza 4 | total | |
16th note |
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8th note |
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dotted 8th |
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quarter note |
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dotted quarter |
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triplet |
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half note |
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dotted half |
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stanza total |
✦✼✦✼✦✼✦✼✦✼✦✼✦✼✦✼✦✼✦✼✦✼✦✼✦✼✦✼✦✼✦✼✦✼✦
Audio Recordings
Vagabond: Teddy Tahu Rhodes |
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Baker: BBC Legends |
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Gerald Finzi: Meditation |
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If There Were Dreams to Sell |
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Finzi: Dies Natalis |
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The British Music Collection: Gerald Finzi |
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The Vagabond & other songs |
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Jonathan Lemalu: Love Blows as the Wind Blows |
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Come Away, Death
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English Orchestral Songs |
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Finzi |
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Catherine Robbin |
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Elegy |
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The Best of Finzi |
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The English Song Series - 12 |
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Janet Baker: English Song Anthology |
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Sherrill Milnes In Recital Vol. 2 - Kingdom By The Sea |
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✦✼✦✼✦✼✦✼✦✼✦✼✦✼✦✼✦✼✦✼✦✼✦✼✦✼✦✼✦✼✦✼✦✼✦
The following is an analysis of **** by Gerhardus Daniël Van der Watt. Dr. Van der Watt extended permission to post this excerpt from his dissertation on October 8th, 2010. His dissertation dated November 1996, is entitled:
The Songs of Gerald Finzi (1901-1956) To Poems by Thomas Hardy
This excerpt comes from Volume II and begins on page *** and concludes on page ***. To view the methodology used within Dr. Van der Watt's dissertation please refer to: Methodology - Van der Watt.
1. Poet
Specific background concerning poem:
2. Poem
Setting
1. Timbre
VOICE TYPE/RANGE
2. Duration
METRE
Rhythmic motifs
Rhythmic activity vs. Rhythmic stagnation
Rhythmically perceptive, erroneous and interesting settings
Lengthening of voiced consonants
3. Pitch
Intervals: Distance distribution
Interval |
Upwards |
Downwards |
Unison |
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Second |
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Third |
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Fourth |
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Fifth |
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Sixth |
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Seventh |
Interval |
Bar no. |
Word/s |
Reason/s |
Melodic curve
Climaxes
System no. |
Pitch |
Word |
Phrase lengths
System no. |
From - To |
Suggested reason/s |
Chromaticism
HARMONY AND COUNTERPOINT
Non-harmonic tones
Harmonic devices
Counterpoint
FREQUENCY
RANGE
VARIETY
DYNAMIC ACCENTS
No. of parts |
No. of beats |
Percentage |
2 parts |
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3 parts |
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4 parts |
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5 parts |
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6 parts |
7. Mood and atmosphere
General comment on style