For Life I had never cared greatly

 

 

 

Poet: Thomas Hardy

Date of poem:

Publication date:

Publisher:

Collection:

History of Poem:

Poem

For Life I Had Never Cared Greatly
 
1 For life I had never cared greatly,  
2 As worth a man's while;  
3 Peradventures unsought,  
4 Peradventures that finished in nought,  
5 Had kept me from youth and through manhood till lately  
6 Unwon by its style.  
 
7 In earliest years - why I know not -  
8 I viewed it askance;  
9 Conditions of doubt,  
10 Conditions that leaded slowly out,  
11 May haply have bent me to stand and to show not  
12 Much zest for its dance.  
 
13 With symphonies soft and sweet colour  
14 It courted me then,  
15 Till evasions seemed wrong,  
16 Till evasions gave in to its song,  
17 And I warmed, until living aloofly loomed duller  
18 Than life among men.  
 
19 Anew I found nought to set eyes on,  
20 When, lifting its hand,  
21 It uncloaked a star,  
22 Uncloaked it from fog-damps afar,  
23 And showed its beams burning from pole to horizon  
24 As bright as a brand.  
 
25 And so, the rough highway forgetting,  
26 I pace hill and dale  
27 Regarding the sky,  
28 Regarding the vision on high,  
29 And thus re-illumed have no humour for letting  
30 My pilgrimage fail.  
 
(Hardy, 537)

Content/Meaning of the Poem:

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✦✼✦✼✦✼✦✼✦✼✦✼✦✼✦✼✦✼✦✼✦✼✦✼✦✼✦✼✦✼✦✼✦✼✦

Musical Analysis

Composition date:

Publication date:

Publisher: Boosey & Hawkes - Distributed by Hal Leonard Corporation

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✦✼✦✼✦✼✦✼✦✼✦✼✦✼✦✼✦✼✦✼✦✼✦✼✦✼✦✼✦✼✦✼✦✼✦

 

✦✼✦✼✦✼✦✼✦✼✦✼✦✼✦✼✦✼✦✼✦✼✦✼✦✼✦✼✦✼✦✼✦✼✦

 

Pitch Analysis
  pitch
stanza 1
stanza 2
stanza 3
stanza 4
total
highest
A
G
F
E
D
middle C
B
A
G
F
lowest
E

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Interval Analysis of Vocal Line
interval
direction
stanza 1
stanza 2
stanza 3
stanza 4
total
occurrences
minor 3rd
up
minor 3rd
down
major 3rd
up
major 3rd
down
perfect 4th
up
perfect 4th
down
perfect 5th
up
perfect 5th
down
minor 6th
up
minor 6th
down
major 6th
up
major 6th
down
minor 7th
up
minor 7th
down
octave
up
octave
down
total
up
total
down
grand
total

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Rhythm Duration Analysis of Vocal Line
  stanza 1 stanza 2 stanza 3 stanza 4 total
16th note
8th note
dotted 8th
quarter note
dotted quarter
triplet
half note
dotted half
 
stanza total

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✦✼✦✼✦✼✦✼✦✼✦✼✦✼✦✼✦✼✦✼✦✼✦✼✦✼✦✼✦✼✦✼✦✼✦

 
Audio Recordings

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The Songs of Gerald Finzi to Words by Thomas Hardy
The Songs of Gerald Finzi to Words by Thomas Hardy
  • Works: Disc I: Finzi's Earth and Air and Rain, Till Earth Outwears, I Said To Love; Disc II: A Young Man's Exhortation, and Before and After Summer.
  • Recorded: December 1984; rereleased Aug. 2009
  • Hyperion CDA66161/2 MCPS.
  • Playing time: 116 minutes and 34 seconds

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Gerald Finzi
  • Works: Disc 1: Finzi's Before & After Summer, Till Earth Outwears, I Said to Love; Disc 2: Finzi's A Young Man's Exhortation, and Earth and Air and Rain.
  • Recorded: Disc 1: December 1967; Disc 2: April 1970; Rereleased in 2007
  • Lyrita SRCD.282.
  • Playing time: 1 hour and 59 minutes total; Disc I: 62 minutes and 41 seconds; Disc II: 56 minutes and 30 seconds.

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The English Song Series - 12
I said to Love album cover
  • Works: Finzi's I Said to Love, Let Us Garlands Bring, and Before and After Summer. Please click on album image to view complete listing.
  • Recorded: Aug. 2004; released: May 2005
  • Record Label: Naxos 8.557644
  • Playing time: 61 minutes 19 seconds

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Unpublished Analysis Excerpts


 

The following is an analysis of **** by Gerhardus Daniël Van der Watt. Dr. Van der Watt extended permission to post this excerpt from his dissertation on October 8th, 2010. His dissertation dated November 1996, is entitled:

 

The Songs of Gerald Finzi (1901-1956) To Poems by Thomas Hardy

 

This excerpt comes from Volume II and begins on page *** and concludes on page ***. To view the methodology used within Dr. Van der Watt's dissertation please refer to: Methodology - Van der Watt.

1. Poet

Specific background concerning poem:

2. Poem

CONTENT/MEANING

STYLE

FORM

3. Synthesis

Setting

1. Timbre

VOICE TYPE/RANGE

ACCOMPANIMENT CHARACTERISTICS

2. Duration

METRE

RHYTHM

Rhythmic motifs

Rhythmic activity vs. Rhythmic stagnation

Rhythmically perceptive, erroneous and interesting settings

Lengthening of voiced consonants

SPEED

3. Pitch

MELODY

Intervals: Distance distribution

Interval
Upwards
Downwards
Unison
Second
Third
Fourth
Fifth
Sixth
Seventh

 

Interval
Bar no.
Word/s
Reason/s

Melodic curve

Climaxes

System no.
Pitch
Word

Phrase lengths

TONALITY

System no.
From - To
Suggested reason/s

Chromaticism

HARMONY AND COUNTERPOINT

Non-harmonic tones

Harmonic devices

Counterpoint

4. Dynamics

FREQUENCY

RANGE

VARIETY

DYNAMIC ACCENTS

5. Texture

No. of parts
No. of beats
Percentage
2 parts
3 parts
4 parts
5 parts
6 parts

6. Structure

7. Mood and atmosphere

General comment on style

 

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The following is an analysis of For Life I Had Never Cared Greatly by Curtis Alan Scheib. Dr. Scheib extended permission to post this excerpt from his dissertation on February 17th, 2012. His dissertation dated 1999, is entitled:

Gerald Finzi's Songs For Baritone On Texts By Thomas Hardy: An Historical And Literary Analysis And Its Effect On Their Interpretation

This excerpt begins on page seventy-five and concludes on page seventy-six.

For Life I Had Never Cared Greatly
 
  For life I had never cared greatly,  
  As worth a man's while;  
  Peradventures unsought,  
  Peradventures that finished in nought,  
  Had kept me from youth and through manhood till lately  
  Unwon by its style.  
 
  In earliest years - why I know not -  
  I viewed it askance;  
  Conditions of doubt,  
  Conditions that leaded slowly out,  
  May haply have bent me to stand and to show not  
  Much zest for its dance.  
 
  With symphonies soft and sweet colour  
  It courted me then,  
  Till evasions seemed wrong,  
  Till evasions gave in to its song,  
  And I warmed, until living aloofly loomed duller  
  Than life among men.  
 
  Anew I found nought to set eyes on,  
  When, lifting its hand,  
  It uncloaked a star,  
  Uncloaked it from fog-damps afar,  
  And showed its beams burning from pole to horizon  
  As bright as a brand.  
 
  And so, the rough highway forgetting,  
  I pace hill and dale  
  Regarding the sky,  
  Regarding the vision on high,  
  And thus re-illumed have no humour for letting  
  My pilgrimage fail.  
 
(Hardy, 537)

The poem is significant for Hardy and, consequently for Finzi, as it is one of his more positive statements about life. It speaks of a gained commitment to life that provides the poet a new sense of determination to proceed to his goal. Finzi's setting has an immediacy of expression and tunefulness that makes the song stand out among his other works. The key here is a solid D Major that never modulates. Finzi uses his technique of elongating phrases for emphasis and declamation, and the range in both voice and piano stays in the comfortable middle. Again, in contrast to many of his songs, there is an easily identifiable form present, ABABA1. The song reaches a carefully planned climax in the last verse, ending on a triumphant D Major chord. Altogether, it is one of Finzi's most direct and positive statements.

The preceding was an analysis of For Life I Had Never Cared Greatly by Curtis Alan Scheib. Dr. Scheib extended permission to post this excerpt from his dissertation on February 17th, 2012. His dissertation dated 1999, is entitled:

Gerald Finzi's Songs For Baritone On Texts By Thomas Hardy: An Historical And Literary Analysis And Its Effect On Their Interpretation

The excerpt began on page seventy-five and concluded on page seventy-six.

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Thomas Hardy, The Complete Poems of
Thomas Hardy
, Edited by James Gibson
(New York: Macmillan Publishing Co., 1976), 537.
Thomas Hardy, The Complete Poems of
Thomas Hardy
, Edited by James Gibson
(New York: Macmillan Publishing Co., 1976), 537.